Tuesday, 24 February 2009
Wednesday, 18 February 2009
Tuesday, 17 February 2009
My name is Brandon Boyd. I am a Los Angeles native, a Vegan sympathizer, an artist by day and come nightfall I sing in a band called Incubus. I am suspicious of religion, advertising and know-it-alls. My teeth will one day fall out from overconsumption of licorice. My closest friend on the Earth is a dog from France. I sleep diagonally until I have company, then I sleep lengthwise. I am straight, yet I adore sparkling mineral water. I have a bionic right leg as a result of a freak gardening accident. My right eye goes lazy after about 3am. If you feed me after midnight, I multiply. My name, when translated literally, means 'Broom-Hill' which I find horrifyingly exotic. I live in an old building that at one point in the 1900's was a working brothel. As a result, the ghosts of under paid and over worked prostitutes roam my hallways. So, there is a lingering smell of cheap perfume on the second story of my home after 3am, which might explain my occasional lazy eye. I am allergic to milk and as a result have never had an ice cream party. You may have just heard the sounds of very small violins playing behind that last comment, but don't feel bad for me; I have sorbet parties at every Equinox and spend about half a day thereafter happily cleaning the 'sticky' out of my fingernails. My right knee is named Chet and my left is Garrison. Everything I wear once belonged to someone else with the specific exception of socks and underpants.
I am quite certain that in the above rant/ Myspace 'About Me' section there is a sizable window for you curious and or skeptical observers to peer through. I have always cringed at the thought of describing myself and my multiplying creative endeavors, but it seems as time wears on, that the personal 'Bio' is a necessary evil in the vast catacombs of the "I wish I didn't have to, buts..." of our strange culture. So with that veiled apology out of the way, I shall now recall (for those who desire to know more) a not so brief remembrance of my time in art thus far...
The first piece of art I can remember is actually now hanging in my kitchen. It is a self portrait my Mother did while she was in Art School. She was very pregnant with my older brother and thought it would be funny to paint herself as the Virgin Mary. So this painting, for all it's cracked and aging beauty, looks very pious and intimidating. It hung in the guest bedroom of my Grandfather's house that my brothers and I would bunk in when staying there. On more than three occasions, I woke in the middle of the night and saw the eyes of this painting alive and looking down at me! My Mother ( the Virgin Mary) in a very ominous voice would say, "Go back to sleep, Brandon!"
I started scribbling in very small pads with very small pencils as a child. I have since been scaling up exponentially. In Medium, content and size. As my mind grows, so do my sights on what is possible creatively. This has allowed me to reach into pen-ink, paint, pencil, photography, music, literature and lifestyle. All of which are as important as the next.
The kinds of art that have stood out to me have never really followed any particular pattern. I guess my eyes and my heart gravitate towards unusual, dark, absurd, sincere and beautiful works. I obsess over line work and flow.
I have no formal training; other than a few semesters at community college and some classes at the YMCA. I would very much like to return to school in the near future and absorb the myriad different techniques I have been missing out on! That being said, I was raised in a creative environment, and that does wonders for a young person's mind.
I have always had a hard time in describing my creative style. I find the same dilemma when asked what type of music I play. But if I had to, I would say that I am doing my best to turn my mind inside out and see what it looks like framed. ;) Once you get past the gooey bits and the debris, there is the occasional sparkly gem that glows like the edges of Barbara Walters in one of her interviews.
My creative process is both complex and simple. The complexities arise when I try and understand what I am doing when I am doing it. It's like trying to describe the sensation of love; one is better suited just experiencing it for oneself. But it becomes simple when I let go into the process and don't question it so much. Kind of a surrender into right brian, as it were. But for clarity's sake, I have waves of creativity, followed by times of drought. In these times, I have learned that just reading, listening to music, and surfing a whole lot help to pass the time before the next creative pulse arises. It's been this way in my life for as long as I can remember.
I work predominately out of my kitchen. It looks like a kitchen, but it's actually...well, a kitchen. Things are cooked there, and things are consumed. But just as much paint is thrown into amorphous abstractions onto paper and canvas that reveal my inner perv and my longing for contact with extraterrestrial intelligences (not to be confused with one another) as there is corn chowder stirred and swallowed!
I like to allow any and all influence into my world. Cultural or geographic. Political, or emotional. As far as I am concerned, anything is game. I find that large parts of my work are observational in the sense that I am merely living as I chose and the art, in whatever form it takes, is the unconscious filter of my experience.
I think that to live a life of expressivity is paramount. To me it is the embodiment of freedom. I don't have a particularly specific statement that I am trying to convey; like the Romantic's Manifesto, or something akin. I am more interested in existing in a continual state of creativity. To be able to see the art in every occurrence. To find beauty in the mundane and in the otherwise trite and or trivial. My life, as it were, is not unlike one of my drawings; a continually evolving, bulbous, mass of thought, after-thought, absurdity, intention and enthusiasm. Scribbled happily in ink without pencil lines and signed at the bottom.
I am currently working on a new series of paintings on canvas in acrylic that I will have no idea how to talk about until they are hung and dry and my shrink is standing back from them with an inquisitive scowl.
I just did a quick proofread of this communication, and I am struck by how often I used the word, "I." To my count, it is repeated 63 times in this glorified Personals Ad. Cheese and Rice! You'd think I was a fucking rock star with these levels of self absorption. Fuck it. I think that'll do for now. If anybody has anymore questions beyond art, music, haunted paintings, relevance, used clothes, literature, tiny pencils on tiny pads of paper, heartbreak, disillusionment, love, death, addiction, leather goods, lactose intolerance, the future, optimism, nihilism, idealism, plagiarism, environmentalism and the smell of turpentine, please don't Google my name or ask your "friend who knows about music". Call me at your Mom's house, I'll be there having a sorbet party on March 20th.
Your friend and lover,
completely forgot about him. what a dreamboat.
Sunday, 15 February 2009
i knew that they had stopped making them and the last lot I ordered from Austria but I noticed that jessops had some and tried to buy some but they are now 29 pounds for 20. i thought that 1 pound each was bearable. its so sad i love taking pictures with it but really cant afford that much. anyway here are a few from black cigarettes live journal. check it out here.
Thursday, 12 February 2009
Ana Laura Perez. An illustrator born the same year as me. 1983. From Argentina. A girl after my own heart... flowers, mixed media, horses. Lovely.
Posted by clara spencer-phillips at 00:02